Archive for January, 2017

  1. Funded PhD: ‘Contextualising bullying and ‘vulnerability’ in the lives of LGBT and/or disabled young people’, Sheffield Hallam

    Posted on January 4th, 2017 by Hannah Tweed

    Sheffield Hallam University is currently offering funded PhD places. One in particular is ‘disability’ related (co-supervised by the Disability Research Forum’s Jen Slater). See below and follow this link for more information:

    Contextualising bullying and ‘vulnerability’ in the lives of LGBT and/or disabled young people

    Anti-bullying practice and advocacy often understands certain ‘types’ of young people, including lesbian, gay, bisexual or trans (LGBT) and disabled young people, as being ‘at risk’ or ‘vulnerable’ to bullying. At the same time, youth work provision and other support services are increasingly subject to ‘targeted’ (rather than universal) work. Such approaches essentialise and individualise ‘vulnerability’ as something ‘within’ a person, rather than a product of socio-cultural-political contexts. Combining our backgrounds in critical disability studies, critical psychology, and sociology, we are interested in proposals that examine and critique the notion of ‘vulnerability’, and how it is constructed and enacted in education and (youth) service provision. The suggested research approach is qualitative, within which artsbased and/or participatory methods could be adopted.

    For further information, or informal discussion, please contact Eleanor Formby (e.formby@shu.ac.uk).

  2. CFP: Speak, body: Art, the Reproduction of Capital and the Reproduction of Life, Leeds

    Posted on January 4th, 2017 by Hannah Tweed

    Location: School of Fine Art, History of Art and Cultural Studies, University of Leeds

    Date: 21st – 23rd April 2017

    Deadline for abstracts: 30th January 2017

    Keynote Speakers (tbc): Martha Rosler, Marina Vishmidt

    Speak, body: Art, the Reproduction of Capital and the Reproduction of Lifewill address the juncture of the “body” in art in relation to feminism(s) and capitalism, through the period 1960–1980. The “body” is taken to be a historically contingent concept, up for contestation. Today we are witnessing a massive conservative retrenchment in the political and legal spheres concerning images of the body, from anti-woman bans on images of female ejaculation in pornography to the far-right deployment of racist iconography in the mass media coverage of Brexit and the Trump campaign. We want to challenge the hyper-mediated landscape that has propelled the global right, by considering how a previous generation of artists, who focused on the body in their works, responded to dominant social conditions. Speak, body sets out to investigate artworks that emerged coincident with the crisis of capitalism in the 1960s and 1970s in order to consider what they can tell us about contemporary transformations in art and politics.

    Through an intense and sustained period of engagement, the body was explored by artists such as VALIE EXPORT, Mona Hatoum, Ana Mendieta, Gina Pane, Adrian Piper, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Carolee Schneeman, Jo Spence and Hannah Wilke among others. We are especially interested in artworks that counter the museal tendency to appropriate feminist art practices within conventional art-historical categories of movements, iconographies or styles; that is, we want to solicit papers that track the social implications of feminist investigation and critique conducted through a range of media (performance, photography, video, film, etc.). Speak, body aims to reconnect artistic practices with feminism as a historic social movement, and to query its consolidation into an academic “-ism”.

    The idea of the body, connotes a number of tensions: between inside and outside; consumption and excretion; energy and depletion; life and death. At the same time, the body is produced historically through practices and discourses, and has figured as a key site for analysis in, for example, Karl Marx’s description of “labour-power”, Sigmund Freud’s account of sexual difference and bodily prosthesis, Michel Foucault’s theory of the “medical gaze”, Silvia Federici’s corrective historical analysis of the female “rebel” body, and Juliet Mitchell’s foundational work on the woman as “sexual object”. By reading those artistic practices that have engaged a feminist politics – on psychic and social levels, through direct or indirect means – we hope to pursue a materialist analysis of art’s enduring imbrication in capitalist social relations, as well as its relative autonomy from these relations.

    We invite papers that trace the conditions of production, rhetorics and effects that relate to the body in feminist-inflected artistic practice. In particular, we are interested in close readings of distinct works, as well as papers that explore this constellation through history and philosophy, aesthetics, and theories of race, gender and class.

    Speak, Body will engage how art relates to the themes and concepts including but not limited to:

    • health and illness
    • the maternal body
    • notions of violence in art
    • mediation and materials
    • human/non-human (cybernetics)
    • gender and feminism(s)
    • theories of race and antiracism
    • hyper-masculinity
    • art and labour
    • resistance and subsumption
    • materialist and psychoanalytic approaches to art
    • (legacies of) performance and media art
    • historical-philosophical conceptions of the body in contemporary art
    • contextual histories and discourses and methods of art history that relate to this subject

    Please send your abstract (max 300 words), its title, and a short biography (100 words) to: speakbody2017@gmail.com by 30th January 2017.

    Successful applicants will be notified by 7th February 2017.